Giorgione, Three Philosphers |
Based on this photo and what colored construction paper was available, I built a diorama, reducing the standing figures to three-dimensional rectangles, and the seated figure to a scrap of folded paper. The rock formation on the left became a large, black boulder, and with Kimberly's help, I lit it and positioned it in a way that maximized the colors and cast shadows, then painted the assembly.
Here is the result.
Julie Devine, Three Philosophers, 2010 |
I like this strange little painting. So much so, that I repeated the exercise on my own at home, selecting another high Renaissance painting with a few figures and strong color shapes. I chose Correggio's The Mystic Marriage of St. Catherine of Alexandria.
Antonio da Correggio, The Mystic Marriage of St. Catherine of Alexandria |
I had a lot more time to set this one up and paint it, and so I think it is less abstract as a result. Again, no photo of the diorama, but here is the resulting painting.
Julie Devine, Mystic Marriage, 2010 |
I've enjoyed painting these. Creating an assembly in colored paper provided a useful way to analyze the big shapes and colors. I think having to translate a two dimensional image into a three dimensional still life, and back into an essentially two dimensional painting was very useful. The results are unusual, a bit surreal, and nothing I could have come up with without this double translation process.
I'm considering doing a few more of these based on the works of Renaissance masters.
really like this -- the colors are fantastic and I like the layers.
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