Observational Collage

In a recent workshop with Kimberly Trowbridge, we assembled a collage in monochromatic values while working from observation. Getting started with this process was slow-going as it required a shift in visual translation and construction strategy. Here is the result of my efforts.




Julie Devine, Nude Collage, 2012
Sumi Ink on Paper



In an open studio the next day, I repeated this process, but decided to work more loosely, using odd scraps from the day before and tearing inked paper into general masses rather than cutting the paper into specific shapes. I also layered pieces more intuitively, placing blankets of shadow and light that extended beyond edges of forms.

Julie Devine, Wrapped, 2012
Sumi Ink on Paper

Something about the shapes and torn edges gives this collage a Japanese feel, I think. And on that note, I'll close with an image of one of my favorite Pacific Northwest artists and master of collage, Paul Horiuchi. His work is just beautiful.




Paul Horiuchi, Untitled, 1959